在上篇文章中，雅思培訓(xùn)中心的老師們把四選一題目按照考查內(nèi)容進(jìn)行了分類，明確了有些題目是考作者的用詞來推敲其意圖，有些題目是考同義轉(zhuǎn)換，而有些題目則是按照高頻詞匯和概括性詞匯來選擇。那么，這類題型的選項(xiàng)又有什么難點(diǎn)呢？雅思考試研究中心分析認(rèn)為，四選一題型選項(xiàng)的難點(diǎn)主要存在于干擾項(xiàng)上，所謂的干擾項(xiàng)就是看起來跟真正答案很相似，用來迷惑考生的判斷力的選項(xiàng)。我們按照干擾項(xiàng)的迷惑性由強(qiáng)到弱，分為重要干擾項(xiàng)、錯(cuò)誤干擾項(xiàng)和未提及干擾項(xiàng)。

一、 多選題目的重要干擾項(xiàng)

重要干擾項(xiàng)就是指，這種選項(xiàng)雖然不是正確答案，卻與原文不沖突（或者很難判斷是否與原文沖突），它們與正確答案看起來比較相似，只不過不如正確答案更準(zhǔn)確、更完整或更嚴(yán)謹(jǐn)。我們看下面的例子：

In Tarkovsky’s opinion, the attraction of the cinema is that it

A aims to impress its audience.

B tells stories better than books.

C illustrates the passing of time.

D describes familiar events.

我們可以定位到原文的C段和D段，C段提到：The frightened audience could not accept that they were watching a mere picture. Pictures were still, only reality moved; this must, therefore, be reality. In their confusion, they feared that a real train was about to crush them. 這一段文字表達(dá)了觀眾當(dāng)時(shí)的反應(yīng)，觀眾們很難接受自己看到的是圖畫而不是事實(shí)。D段提到：The key to that magic was the way in which cinema created a dynamic image of the real flow of events. A still picture could only imply the existence of time, while time in a novel passed at the whim of the reader. But in cinema, the real, objective flow of time was captured. 這段文字描述了電影創(chuàng)造了事件隨時(shí)間的發(fā)展演變，并且用picture和novel進(jìn)行類比，強(qiáng)調(diào)電影的魔力是讓人清楚地看到事情流暢地隨時(shí)間演變。

根據(jù)這兩段文字所表達(dá)的意思，很多學(xué)生會(huì)選擇A