阿希爾賈科莫castiglioni （ 1918年-2 002年） 阿希爾賈科莫castiglioni出生于米蘭，早在1940年，他一直投身于改革試點(diǎn)批量生產(chǎn)的文物，與他的建筑師兄弟利維奧（ 1911至1979年）和碼頭賈科莫（ 1913至1968年） 。經(jīng)過(guò)阿希爾收到他的程度，在建筑，在1944年，他和碼頭賈科莫發(fā)起的，他們?cè)O(shè)計(jì)職業(yè)生涯;詩(shī)意的，是完全基于對(duì)小說(shuō)形式，技巧和"新"的材料。其目的是要達(dá)到一個(gè)"整體"的設(shè)計(jì)過(guò)程。創(chuàng)始國(guó)之一的工業(yè)設(shè)計(jì)協(xié)會(huì)，他主演了無(wú)數(shù)米蘭triennale表演。它的結(jié)果是在1979年"新triennale " ，如他是其中的十二名意大利人在設(shè)計(jì)收藏。 castiglioni的部分，在創(chuàng)造一些聰明的現(xiàn)代設(shè)計(jì)對(duì)象已尤為重要。屬于不同的類型，他們?nèi)〉昧藰O大的成功在國(guó)際上的。此外，他還創(chuàng)造了大量的設(shè)施，包括為triennale本身和對(duì)展覽的扎諾塔的收集，在林茨的1980年論壇的設(shè)計(jì)。他的生產(chǎn)是描繪在雜文意大利設(shè)計(jì)，并在記錄中的compasso -破產(chǎn)管理署（其中他贏得了好幾次） 。同時(shí)，可以發(fā)現(xiàn)在主要的設(shè)計(jì)博物館。在1980年的檔案實(shí)踐民辦阿希爾及碼頭賈科莫獲得由研究中心和通訊檔案，在帕爾馬大學(xué)。在1984年，他一人前往展覽于博物館f黵angewandte藝術(shù)在維也納舉行。之后，它發(fā)揮了在柏林學(xué)院f黵bildende kunste ，米蘭的triennale ， kunstgewerbe博物館在蘇黎世，海牙的gemeentemuseum ，馬德里circulo萬(wàn)bellas Artes公司和該中心蓬皮杜-b eaubourg在巴黎舉行。在1986年rohsska konstslöjdmuseet在哥德堡舉辦一個(gè)展覽他的作品創(chuàng)造了扎諾塔和野。此外他的設(shè)計(jì)和批評(píng)（ stile產(chǎn)業(yè)在20世紀(jì)50年代） ，自1969年以來(lái)，他曾任教過(guò)。自1981年以來(lái)，他一直在教授的裝飾和工業(yè)設(shè)計(jì)，在建筑學(xué)院的米蘭理工。阿希爾castiglioni一直在努力扎諾塔自1964年以來(lái)。 ----- 碼頭賈科莫castiglioni （ 1913至1968年） 意大利的設(shè)計(jì)師和建筑師碼頭賈科莫castiglioni已是第二次， 3個(gè)castiglioni兄弟。就像他的兄弟們，碼頭賈科莫castiglioni研究建筑在米蘭理工學(xué)院，以他的程度在1937年。 1938年碼頭賈科莫castiglioni和他的哥哥，利維奧，創(chuàng)立了有實(shí)踐，在米蘭，其中年齡最小的弟弟，阿希爾，參加了1944年。所有這三個(gè)castiglioni兄弟兩人均感興趣的技術(shù)與藝術(shù)。利維奧左聯(lián)合作業(yè)，在1952年到他自己的方式。碼頭賈科莫castiglioni被看作是智力平等的，他的弟弟阿希爾。直到他過(guò)早去世于1968年，碼頭賈科莫勾結(jié)阿希爾無(wú)數(shù)設(shè)計(jì)師物體。 在1957年展覽" colori e形式的理解之家-o ggi" （色彩和形式，在今天的主頁(yè)） ，是安裝在別墅馬德里在C omo，那里阿希爾及碼頭賈科莫c astiglioni惱火專家，他們的視野的現(xiàn)代生活方式，因?yàn)樗麄儼l(fā)現(xiàn)是一個(gè)五彩繽紛的龐雜風(fēng)格收編舊的和新裝修的，而是一致風(fēng)格的內(nèi)飾。阿希爾及碼頭賈科莫castiglioni表明，他們的許多設(shè)計(jì)，其中包括為第一次的" readymades " 。 " mezzadro " ，這是一個(gè)凳子，其中一臺(tái)拖拉機(jī)座椅安裝在一個(gè)子和"鞍" ，這是一個(gè)電話凳子與自行車鞍座作為一個(gè)座位，不是直到多年后，由扎諾塔。兩兄弟被特別成功與照明設(shè)計(jì)為arredoluce ，辛夷，并和Artemide 。他們playfully探索新的可能性，為中，連接技術(shù)創(chuàng)新和最低限度的經(jīng)濟(jì)手段，以生產(chǎn)高功能的物體，只是作為美侖美奐的滿足，因?yàn)樗麄儗?shí)際的。在1955年castiglionis設(shè)計(jì)的" luminator " arredoluce ;他們的"蒲公英"掛燈的日期從1960年。另一castiglioni設(shè)計(jì)野是1962年死燈" ，有古" ，連接著素質(zhì)地上懸燈。該castiglioni兄弟不僅施加強(qiáng)大影響，對(duì)年輕一代的意大利設(shè)計(jì)師。 碼頭賈科莫castiglioni教設(shè)計(jì)，在米蘭理工學(xué)院，從1946年直到他去世。阿希爾castiglioni還教室內(nèi)裝飾和工業(yè)設(shè)計(jì)，有從1982年至1986年，是一位教授，工業(yè)設(shè)計(jì)在都靈理工學(xué)院從1970年直到1980年。紐約現(xiàn)代藝術(shù)博物館收藏，擁有許多作品阿希爾及碼頭賈科莫castiglioni 。 ----- 獎(jiǎng)項(xiàng)的阿希爾及碼頭賈科莫castiglioni ： 金牌米亞國(guó)際展覽1968年首獎(jiǎng)五stelle tecnhotel選擇compasso -破產(chǎn)管理署1 981,1987,1991

Achille Giacomo Castiglioni (1918 - 2002)Achille Giacomo Castiglioni was born in Milan and, as early as 1940, he devoted himself to experimenting with mass-produced artifacts, with his architect brothers Livio (1911-1979) and Pier Giacomo (1913-1968). After Achille received his degree in architecture in 1944, he and Pier Giacomo initiated their designing career; the poetic was entirely based on novel forms, techniques and "new" materials. The aim was to attain an "integral" design process. One of the founders of the Industrial Design Association, he has starred in numerous Milan Triennale shows. It culminated in the 1979 "New Triennale," where he was one of the twelve Italians in the Design Collection. Castiglioni's part in creating some of the cleverest modern design objects has been particularly important. Belonging to a variety of types, they have been a big success internationally. In addition, he has created a host of installations, including those for the Triennale itself and for the exhibition of Zanotta's collection at Linz's 1980 Forum Design. His production is portrayed in the essays on Italian design and in the records of the Compasso d'Oro (which he has won several times). Also, it can be found in the major design museums. In 1980 the archives of the practice run by Achille and Pier Giacomo were acquired by the Study Center and Communication Archives at the University of Parma. In 1984 his one-man traveling show opened at the Museum für Angewandte Kunst in Vienna. Later, it played at the Berlin Hochschule für Bildende Kunste, Milan's Triennale, the Kunstgewerbe Museum in Zurich, the Hague's Gemeentemuseum, the Madrid Circulo des Bellas Artes and the Centre Georges Pompidou - Beaubourg in Paris. In 1986 the Rohsska Konstslöjdmuseet in Göteborg staged an exhibit of his pieces created for Zanotta and Flos. Besides his designing and criticism (for Stile Industria in the 1950s), since 1969 he has taught, too. Since 1981 he has been professor of Decorating and Industrial Design at the School of Architecture of the Milan Polytechnic. Achille Castiglioni has been working for Zanotta since 1964. -----Pier Giacomo Castiglioni(1913-1968)The Italian designer and architect Pier Giacomo Castiglioni is the second of the three Castiglioni brothers. Like his brothers, Pier Giacomo Castiglioni studied architecture at Milan Polytechnic, taking his degree in 1937. In 1938 Pier Giacomo Castiglioni and his elder brother, Livio, founded a practice in Milan, which the youngest brother, Achille, joined in 1944. All three Castiglioni brothers were interested in both technology and art. Livio left the joint practice in 1952 to go his own way. Pier Giacomo Castiglioni is regarded as the intellectual equal of his brother Achille. Until his untimely death in 1968, Pier Giacomo collaborated with Achille on numerous designer objects. In 1957 the exhibition "Colori e forme nella casa d'oggi" (Colors and Forms in Today's Home) was mounted at the Villa Olmo in Como, where Achille and Pier Giacomo Castiglioni annoyed specialists with their vision of a modern lifestyle because what they showed was a colorful jumble of styles that incorporated old and new furnishings instead of uniformly styled interiors. Achille and Pier Giacomo Castiglioni showed many of their designs, including for the first time their "readymades". "Mezzadro", a stool consisting of a tractor seat mounted on a substructure and "Sella", a telephone stool with a bicycle saddle as a seat were not made until many years later, by Zanotta. The two brothers were particularly successful with the lighting they designed for Arredoluce, Flos, and Artemide. They playfully explored new possibilities for form, linking technical innovation and Minimalist economy of means to produce highly functional objects which were just as aesthetically satisfying as they were practical. In 1955 the Castiglionis designed "Luminator" for Arredoluce; their "Taraxacum" hanging lamp dates from 1960. Another Castiglioni design for Flos was the 1962 die lamp "Arco", which links the qualities of floor and hanging lamps. The Castiglioni brothers not only exerted a strong influence on the younger generation of Italian designers. Pier Giacomo Castiglioni taught design at Milan Polytechnic from 1946 until his death. Achille Castiglioni also taught interior decoration and industrial design there from 1982 until 1986 and was a professor of industrial design at Turin Polytechnic from 1970 until 1980. The Museum of Modern Art collection owns many works by Achille and Pier Giacomo Castiglioni.-----Awards of Achille and Pier Giacomo Castiglioni：Gold Medal Mia International Exhibition 1968First Prize 5 Stelle Tecnhotel Selection Compasso d'Oro 1981,1987,1991